The British film and television composer George Fenton has passed away at the age of 76. He received multiple Oscar nominations for his work in Hollywood, but also composed famous tunes for the BBC and the theme melodies of various TV series.
Fenton broke through in 1983 with one of his first film compositions, for the biographical epic Gandhi. Together with the Indian musician Ravi Shankar, he had been inspired by the musical traditions of the subcontinent.
Five years later, he received a double nomination for Cry Freedom, for both the film score and a song from that film about anti-apartheid activist Steven Biko. With further nominations for The Fisher King and Dangerous Liaisons, the total came to five.
Autodidact
Fenton, born in 1949 in Kent, was largely self-taught. Inspired by The Beatles, he bought a guitar and taught himself to play. He began his showbiz career as a supporting actor, but when he realized he was mainly cast in roles where he had to play an instrument, he decided to switch to music.
Over the years, he wrote for diverse productions such as the miniseries The Jewel in the Crown, romcom You've Got Mail, detective series Bergerac, time-travel comedy Groundhog Day, and costume drama Remains of the Day. For director Ken Loach, he was the house composer: he wrote the music for eighteen of his films.
British TV viewers could hear Fenton's work daily for years, because he also composed the intro music for BBC news programs such as Breakfast Time, the 1 pm, 6 pm, and 9 pm news bulletins, and Newsnight. His composition is still used for the latter program.
"Newsnight has outlived all the other tunes I ever wrote. It is an old friend of mine," Fenton once described that composition. He explained what worked so well about his news tunes as follows: "You want to convey a certain urgency, a feeling of expectation – and all that in nine seconds. In nine minutes, that is easier."
Blue Planet
From 2001, he also composed the music for the documentary series Blue Planet by David Attenborough. He gave orchestral grandeur to the remarkable nature images that the makers of that nature series had managed to capture. He won several TV awards for it, such as the American Emmy and a British BAFTA.
The music became so beloved that Fenton started holding special concerts worldwide, accompanied by images from the series. He was happy to see that the concerts appealed to a broad audience.
"You reach people with it who normally do not go to a symphony orchestra, such as families. Things like class do not play any role," he responded. "It is not only special that they watch your work, but that everyone watches together. You can never get that on TV."